I started with a borrowed camera and a curiosity about light. That was eight years ago. Today, I split my time between capturing raw human moments through photography, crafting cinematic stories on film, and building impossible worlds through digital art.
What connects all three? A stubborn belief that the best work happens when you stop trying to be perfect and start trying to be real. I’ve filmed weddings where everyone cried—including me. I’ve designed album covers that launched unknown bands. I’ve sat in fields at 4 AM waiting for the right light.
Every project is a collaboration. You bring your story, your people, your vision. I bring technical obsession, creative restlessness, and a calm presence that keeps stressful shoots feeling like adventures.
When I’m not working, I’m probably learning something new, exploring abandoned places with my camera, or arguing that film photography isn’t dead.
